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Oil Paintings Come From United Kingdom
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Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

 

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Anthony Van Dyck Prince Charles Louis Elector Palatine oil painting

Painting ID::  80513

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Anthony Van Dyck
Prince Charles Louis Elector Palatine
1637(1637) Medium Oil on canvas Dimensions 213.7 x 132.4 cm (84.1 x 52.1 in) cyf
   
   
     

 

 

Anthony Van Dyck The Lamentation over the Dead Christ oil painting

Painting ID::  80609

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Anthony Van Dyck
The Lamentation over the Dead Christ
Date ca. 1629(1629) Medium Oil on canvas Dimensions 303 x 225 cm (119.3 x 88.6 in) cjr
   
   
     

 

 

Anthony Van Dyck Portrait of Mary Villiers oil painting

Painting ID::  80756

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Anthony Van Dyck
Portrait of Mary Villiers
1638(1638) Medium Oil cyf
   
   
     

 

 

Anthony Van Dyck Study of a Bearded Man with Hands Raised oil painting

Painting ID::  81229

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Anthony Van Dyck
Study of a Bearded Man with Hands Raised
oil on canvas painting by Sir Anthony Van Dyck, c. 1616 Date c. 1616 cyf
   
   
     

 

 

Anthony Van Dyck James Hay, 2nd Earl of Carlisle oil painting

Painting ID::  81296

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Anthony Van Dyck
James Hay, 2nd Earl of Carlisle
oil on canvas 204.5 x 126 cm Date c. 1638 cjr
   
   
     

 

 

Anthony Van Dyck Kenelm Digby oil painting

Painting ID::  81297

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Anthony Van Dyck
Kenelm Digby
oil on canvas 111.5 x 85.5 cm Date 17th century cjr
   
   
     

 

 

Anthony Van Dyck Caesar Alexander Scaglia, Abbot of Staffarda oil painting

Painting ID::  81324

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Anthony Van Dyck
Caesar Alexander Scaglia, Abbot of Staffarda
Date ca. 1634(1634) Medium Oil on canvas Dimensions 189 x 110 cm (74.4 x 43.3 in) cjr
   
   
     

 

 

Anthony Van Dyck Portrait of Princess Henrietta of England oil painting

Painting ID::  81748

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Anthony Van Dyck
Portrait of Princess Henrietta of England
Date ca. 1646(1646) Medium Oil cyf
   
   
     

 

 

Anthony Van Dyck Anne Fitzroy, Countess of Sussex oil painting

Painting ID::  81990

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Anthony Van Dyck
Anne Fitzroy, Countess of Sussex
oil on canvas 111 x 113 cm ca 1665 cjr
   
   
     

 

 

Anthony Van Dyck Equestrian Portrait of Charles I oil painting

Painting ID::  82008

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Anthony Van Dyck
Equestrian Portrait of Charles I
Oil on canvas Dimensions 365 x 289 cm cyf
   
   
     

 

 

Anthony Van Dyck Charles II as child oil painting

Painting ID::  82814

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Anthony Van Dyck
Charles II as child
. 1638(1638) Medium Oil on canvas Dimensions 150.5 x 130.7 cm (59.3 x 51.5 in) cyf
   
   
     

 

 

Anthony Van Dyck Portrait of a Man oil painting

Painting ID::  82980

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Anthony Van Dyck
Portrait of a Man
Date ca. 1619(1619) Medium Oil on canvas Dimensions 199 x 126 cm (78.3 x 49.6 in) cjr
   
   
     

 

 

Anthony Van Dyck Portrait of Cardinal Guido Bentivoglio oil painting

Painting ID::  83413

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Anthony Van Dyck
Portrait of Cardinal Guido Bentivoglio
Oil on canvas Dimensions 147 x 195 cm (57.9 x 76.8 in) cyf
   
   
     

 

 

Anthony Van Dyck Frans Snyders cropped and downsized oil painting

Painting ID::  83986

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Anthony Van Dyck
Frans Snyders cropped and downsized
Oil on canvas Dimensions N/A (original: 82 x 110 cm) cyf
   
   
     

 

 

Anthony Van Dyck Portrait of a Young General oil painting

Painting ID::  84422

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Anthony Van Dyck
Portrait of a Young General
1624(1624) Medium Oil on canvas cyf
   
   
     

 

 

Anthony Van Dyck An Apostle oil painting

Painting ID::  84471

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Anthony Van Dyck
An Apostle
Date ca. 1618(1618) Medium Oil on oak Dimensions Height: 61 cm (24 in). Width: 49 cm (19.3 in). cjr
   
   
     

 

 

Anthony Van Dyck Saint Dominic and an Angel oil painting

Painting ID::  84530

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Anthony Van Dyck
Saint Dominic and an Angel
Oil on canvas Dimensions 314 x 245 cm (123.6 x 96.5 in) cyf
   
   
     

 

 

Anthony Van Dyck Portrait of the one-armed painter Marten Rijckaert. oil painting

Painting ID::  84733

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Anthony Van Dyck
Portrait of the one-armed painter Marten Rijckaert.
Date ca1630 Medium Oil on canvas Dimensions 138 x 114 cm (54.3 x 44.9 in) cjr
   
   
     

 

 

Anthony Van Dyck Beweinung Christi oil painting

Painting ID::  84736

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Anthony Van Dyck
Beweinung Christi
1st third of 17th century Medium Oil on wood cjr
   
   
     

 

 

Anthony Van Dyck Marchesa Geronima Spinola oil painting

Painting ID::  85253

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Anthony Van Dyck
Marchesa Geronima Spinola
Date c. 1624(1624) Medium Oil on oak wood Dimensions Height: 226.8 cm (89.3 in). Width: 151.3 cm (59.6 in). cjr
   
   
     

 

       Prev    10  11  12  13  14  15  16  17  18     Next

 

Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.